Group f. 64 By. John Paul Edwards (1935)**
Photography and typography (1928) By. Jan Tschichold
From Pigment to Light Telehor, (VOL.1, No.2, pp32-36) By. Laszlo Moholy-Nagy (1936)
Photomontage as a Weapon in Class Struggle (1932) By. Durus (Alfred Kemeney)
Martin Munkacsi 1896-1946
Quick Summaries of This weeks readings:
Group f.64 and Pure Photography
Group f.64 advocated for pure, straight photography, emphasizing sharp focus and detailed images1
Members included Edward Weston, Ansel Adams, and Imogen Cunningham, who focused on technical mastery and artistic vision1